The first was at 2 pm, at the beautiful St. Andrew's, at King and Simcoe. Here is the interior, looking towards the altar:
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(All pictures taken with my smartphone, so please excuse their quality!) |
We were entertained by the Church's director of Music, Dan Bickle, who played five of Bach's organ pieces and chorales. He was supposed to have shared the recital with his daughter, soprano Leslie Bickle, but she was ill at that time, so the programme had to be altered slightly. Nevertheless, Dan performed well on his own at the organ.
I made a point of sitting near him in the balcony, and could watch him at work. The last piece, the Prelude and Fugue in A, was particularly challenging, as it required as much dexterity from his feet (on the pedals) as it did from his hands!
Then, it was on (and up) for the 3 pm recital at the Church of the Holy Trinity, at the Eaton Centre, which also has a lovely interior:
As you can see, they set up some extra seats closer to the organ, which were needed, because there would be more of a crowd for this segment.
The organ is about middle left above, and here is a closer look at it:
It's a Freres Casavant organ from about 1970 (installed at this church in 2009), and similar in size and construction to what Bach himself may have used.
The organist here was Ian Grundy, who played seven pieces, including the well-known chorale "Sleepers, Wake," and another challenging piece to end off, the "Dorian" Toccata in D Minor.
Then, across and down, to the spectacular Metropolitan United Church, at Queen and Church Streets, for the 4 pm segment. This church was the biggest of them all, with a grand neo-Gothic interior:
The organ here is another Freres Casavant model, from 1930, only much larger than the other two - in fact, it's the largest organ in Canada. They can roll it out from the choir to the centre of the apse for occasions like this, and it's quite a sight:
The organist here was Dr. Patricia Wright, the church's director of music for nearly 30 years. She played five selections - organ pieces and chorales - with, once again, the challenging final piece being the showcase, the "St. Anne" fugue in E-flat Major.
After this concert, there was birthday cake and punch for everyone (numbering at least 100 by this time), offered by the Toronto Centre of the Royal Canadian College of Organists.
All three musicians then had a chance to relax and chat with each other, and with those in attendance:
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L-R: Ian Grundy, Patricia Wright, Dan Bickle (sorry again about quality of picture, but you get the idea). |
All in all, a great way to spend an afternoon, and a wonderful idea to celebrate the birth of one of music's great geniuses.
As they may have said to the man himself, "Gute Zum Geburtstag, Johann!"